![]() Tickets are on sale from 9am Tuesday, 5th October. ![]() With music and lyrics by the legendary Bob Dylan, set to a beautiful book written by Conor McPherson, I know audiences will share in a memorable theatrical experience,” Lisa McCune said of Girl From The North Country. “Every now and then a show or character has a profound effect on you…Girl from the North Country and Elizabeth Laine were that for me, and I am thrilled to be to be part of an incredible ensemble cast for the Australian Premiere at the newly renovated Theatre Royal Sydney. And, when a preacher selling bibles, and a boxer looking for a comeback turn up in the middle of the night, things start to spiral beyond the point of no return. If they are not, it is all so elusive or even unreal.A story of American life in 1934 Minnesota, it centres on a community living on a knife-edge in the local guesthouse: the owner, Nick, owes more money than he can ever repay, his wife Elizabeth’s mind is slowly deteriorating, and their daughter Marianne is carrying a child no-one will account for. If someone is very musical, it is all so easy. And, those who are the other side of the fence, in the world of ecstatic musical bliss, can also only stare back at their compatriots wondering how they can miss what seems so obvious, so lovely and so simple. They can gawk in amazement at their colleagues whose own immediacy of contact with the core of the music’s soul is effortless, true, clear and energized. ![]() They must strive to respond in a deep, authentic or meaningful way to music, so that something beyond mere notes can be communicated in a performance. They have to wonder what the music is about, and ponder how it can be evocative. They have little musicality, and they do not find it easy to swim in the responses of music that are an essential ingredient of expressiveness. I have no answers but I do know quite a few highly skilled musicians who are not in the least musical in the sense I am discussing here. Doesn’t the music itself cause emotions to flow, images to appear in the mind, movements to surge through the body? Doesn’t it seem to have a magic and a power all to itself that weaves a spell over the mind of the vocalist or instrumentalist who is performing the piece? How is it that the obvious shapes and colors inherent in the phrases or the patterns don’t jump out and make themselves dynamically clear to someone who is creating the sounds? Truly, how can you be a good musician and miss being musical? How can you be completely lacking in musicality? Unfortunately, it is all too common an experience to find someone who is a recognized musician (and this includes vocalists who are trained musicians of singing) who doesn’t have a clue as to what any of this is about and, in fact, thinks it is just so much nonsense. This brings up the question of how a skilled musician can sometimes miss entirely what’s there in the music. How could both men be so responsive to the music and not agree on what the music contained? This isn’t surprising to others who are themselves innately musical and also good musicians, but it might seem paradoxical to unskilled observers. Each was clear that the music had a “way to be expressed” but it wasn’t the same thing for the two masters. It was a rare surrender on Bernstein’s part. Lenny Bernstein, someone with very definite ideas about music, deferred to Gould on the specific project they did together because Gould’s idea was that the music “didn’t go” the way Bernstein thought. There is some remarkable film footage of Glenn Gould, working with Leonard Bernstein, both of whom we can readily agree were highly musical musicians. Perhaps it has to do with a keen sense of imagination or the ability to visualize music in connection with other senses, like someone with synesthesia. Perhaps it has to do with the ability to be demonstrative, or dramatic, or vivid. Perhaps this goes along with being emotional or very expressive or very sensitive in a specific way. It certainly would seem that whatever this mysterious “musicality” thing is, it is a vital part of being able to communicate what’s there in the music to others. ![]() This is probably a gift or some kind of special DNA encoding. A person who is deeply musical doesn’t need someone to explain or teach what the music is “about”, they just seem to know, feel, understand and freely express what they perceive. In all our classes, we incorporate off-the-bench activities and games to make the classes fun and reinforce the musical concepts they're learning. Kids of every age and level can benefit from both private and group learning. Someone who possesses musicality is one who has a deep, visceral connection to music that has a 3-D effect on her existence. Find and Develop your sound We help our students FIND AND DEVELOP their sound through weekly private lessons, buddy lessons, group classes, and band opportunities. You can be a skilled musician but not be very musical by nature and really not have much musicality at all. Musicianship is the skill of being a good musician, one who understands how to read and play music. Most people who are musical use the word musicality to mean something much more than that. What is musicality? The dictionary says it means “fond of or skilled in music”.
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